Newcity Art on glitchiness
as presencing to hand and a Heidegger-Spinoza similarity.
Spinoza and Heidegger made similar points, illustrated with a hatchet and a hammer respectively, that a tool, subsumed in its utility, only truly becomes an object when broken—as do, by implication, our brains and bodies. At the end of Peter Greenaway’s 1985 film “A Zed And Two Noughts,” twin veterinarians obsessed with making time-lapse films of decaying animal corpses finally euthanize themselves before their automated camera—which ceases to function when the room is overrun with snails attracted to the rot. The malfunction, the glitch, breaches the thin line between the ideal, virtual form or function, and the electrified molecules comprising its material substance—and thus, new forms and functions arise.