This partly ironic, self-conscious Will to Order – a classificatory impulse that is supremely aware of its own futility, and of the fatal contingency of its classificatory criteria – is the precise juncture where the archival and/or encyclopaedic impulse in contemporary art enters into the picture: the "art of classification" that is implied in the archive, the atlas and the encyclopaedia (or its corollaries, the data-base and image-bank) is an integral self-reflexive part of what Martin Heidegger has called "the fundamental event of the modern age" – the "conquest of the world as picture."I'm surprised that quote isn't used in more art show anouncements.