enowning
Wednesday, February 23, 2011
 
In-der-Blog-sein

Poetry, Philosophy, Slow and Close Reading on what's missing in Heidegger.
When I say Heidegger is humorless, I also mean that his notion that Da-sein has moods is limited to very dark and depressing and anxious moods, because, after all, the foundation of Da-sein is a great abyss. There is no laughter, and hence no pleasure in knowledge in his work, in his existential moods. In great part, the angst arises out of the realization that man is in the condition of “falleneness” and man has been existing already from primordial times to be in “thrownness,” although I like to think of it that as Heideggerian Being has excreted Da-sein.

About this bad mood, Leo Strauss writes: “Existentialism appeals to a certain experience, anguish or angst, as the basic experience in the light of which everything must be understood. Having this experience is one thing; regarding it as the basic experience is another thing. That is, its basic character is not guaranteed by the experience itself. It is only guaranteed by argument.” I assume that Strauss intimates that if the experience itself were enough, there is no real need to write the argument of Being and Time.
Being and Time is not primarily about moods and is certainly not a catalog of moods, but only uses certain moods to illustrate. On the other hand, its treatment of some moods is probably its greatest influence. European literature and other arts were never the same after it, and its imitators, but it's hard to say what its influence on philosophy will be in the long term.
 
Comments:
If one is looking for entertainment, MH is the wrong place to look, as also is poetry. I don't find either Rilke or TS Eliot, for instance, entertaining.

I only read MH in translation and therefore never know whether my occasional guffaw is intended by MH or a translator's interpretation. But in S&Z, the second time through, there were some giggles.
 
It's entertaining if you're attracted to some forms of wyrdness, but probably not worth the effort if that's the only attraction.
 
Existentialism was not comedic, but had hints of the absurd, at times. Say Beckett's Godot. Dark stuff, but the victims are hobos and buffoons, or something. Coup de Torchon--comedic in ways, but not exactly pop-entertainment.

But german variety, ala MH, you are accurate. Then some of us prefer Debussy to Wagner.
 
Coup de Torchon looks good. I'll add that to my short list of Isabelle Huppert flicks I haven't seen yet.
 
Yes quite copacetic--, and Ms Huppert still fresh. I did not discover until years later CdT was based on a Jim Thompson novel (pop 1280 I believe), transported to.... Afrika.

Is Rilke....Heideggerian? I can understand some of his product, a bit. I hope TS Eliot ain't--I can't stand that fop's anglican schtick. (what did Beckett say...replace the S and E wit O and you got T Oliet, or somethin )
 
Strauss agreed w/ MH on at least one thing: the logos is where it's at. But MH likes to point up that, originally, mythos and logos were more or less one. Thus his interest, I take it, in Hoelderlin. We are waiting for a god, says Heidegger; only a god can save us. Strauss and Heidegger both, in their own humble ways, saw themselves as gods, IMHO. As "creators" ala Nietzsche. Some say Melville is a god. Life is so short.
 
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