Since MH specifically in places, at least in his later work per Stambaugh, rejects the correspondence theory of truth, the use of that term here is a bit slippery.

Near the end of her "Finitude of Being" she highlights MH's developed preference for metaphors of sound, so that it is "voices" we are supposed to listen for.

He qualified the use of those metaphors so that I get the impression they were foils for refusing the dominant context of sight.

Hence my interest in Husserl's (and MH's) interpretation of Sinn, as I see it, as a sixth sense.