[A]lthough the ontology of man’s Being may search for the dimension of depth beyond cognitive-philosophical but also beyond moral concepts, it remains marked by axiological likes and dislikes. Heidegger, of course, denies that he is moralizing or criticizing culture, but anyone familiar with 1920s German literature and journalism will easily recognize the origins of his motifs. The tendency to evaluate does not follow the well-trodden path of moral theory—on the contrary, current bourgeois morality is indirectly attacked; it is articulated as a confrontation between “authentic” and “inauthentic” existence, as the latter supposedly prevails at the level of the anonymous mass.