enowning
Wednesday, July 06, 2016
 
In-der-Blog-sein

afterart on Vattimo's ‘groundless’ mode of understanding art.
Vattimo recognizes, in Heidegger’s thought, the resolution of two aesthetic modes frequently (though not always, of course) thought to be opposed to each other: the monumental and the decorative; in Heidegger, the two are revealed to be deeply intertwined and coextant: the meaning of the monument derives fundamentally from its form as “marginality and decoration.”
 
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