Colliding worlds in Susanne Claxton's
Heidegger's Gods.
I think that with relative ease it can be imagined how a mortal who may
be understood as existing in the world of Hermes happens to meet someone
who introduces him to the world of Aphrodite. Thus, there is a collapse of his
former world. Also, Vycinas’ assertion that “gods as worlds dominate everything”
is an idea present in ancient texts, such as Euripides’ The Bacchae or
Aeschylus’ trilogy The Oresteia, but with the understanding that it is from
the point of view of the mortal that such may be said to be true. Here, too,
Telemakhos in Homer’s epic poems comes to mind. The notion that “gods
as worlds dominate everything” makes sense with the unavoidable clash of
fates that make up the stories that are the Greek tragedies, as well as much
of myth.
In thinking of an individual mortal as being attuned to Being by virtue of
the god or goddess being served and thus the world occupied, we see that
something such as love could indeed be very different in two lovers or worlds.
This makes sense when reflection is given to the phenomenological experience
of meeting someone who introduces us to a new way of understanding
an old concept. Worlds collide. One collapses and another emerges. A new
world is disclosed. One vision dies and a new one is born.
P. 74-5