Sunday, February 25, 2018
Slipped Disc reviews the new Martin and Hannah opera, "The Banality of Love".
From the opening scene, the story has little to do with love. Heidegger uses physical force and personal charisma to rip young Arendt away from the attentions of a besotted fellow-student and make her his mistress. Her intellectual development, harnessed to her erotic education, is yoked to Heidegger’s powerful mind. Without actual violence, Heidegger subjects her to varied forms of abuse and captivity. Milch-Sheriff mitigates the harshness of their connection with sparkling wit. Heidegger, lecturing his class, accompanies himself on a mandolin like a medieval Minnesinger.
Opera buffa.
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