Friday, March 08, 2019
The Art Newspaper asks Siah Armajani about his "Bridge Over Tree".
It was a poetic documentation about Heidegger’s notion of “location” and “neighbourhood”. I do not see the work differently years later, except the new context, the new location close to the Brooklyn Bridge. A bridge divides what is “above” the bridge, what is “below” the bridge, what is “before” the bridge and what is “after” the bridge, but at the same time it brings totality and turns it into a neighbourhood.
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